Rama Vaidyanathan’s ‘New Dimensions to the Maargam’ presented by Samskriti
The Maargam in the south Indian classical dance form of Bharatanatyam has always held a fascination for me. Conceived as a format for the traditional solo recital, the Maargam represents the idea of an emotional, spiritual journey undertaken by a dancer through her repertoire, on which, if the performer is sufficiently skilled, the audience is […]
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