Adam Castañeda is a dancer, writer, and arts administrator based in Houston, Texas. He is the artistic director of The Pilot Dance Project, and when not performing with his own company, he dances with the Michele Brangwen Dance & Music Ensemble. Outside of dance, he is a proud full-time faculty member of the English department at Houston City College.
On May 1, 2026, Silambam Houston performed to a sold-out audience at the Hobby Center for the Performing Arts’ Zilkha Hall. Kavya: Poetry in Motion was produced as part of the Houston is Inspired series, a short-term residency program that gives select local artists and organizations the opportunity to utilize the Hobby Center’s technical, administrative, […]
Everyone loves a good story, including dancers. But for choreographer Emilie Anne, a powerful story is also reason to make dance. Her latest work, “The Great Departure,” will premiere December 2 as part of Dance Source Houston’s beloved Mind the Gap series, and was inspired by Thich Nhat Hanh’s ambitious 1987 novel, Old Path White […]
Reaching a thirteenth anniversary milestone is a cause for celebration in any context, but in the world of non-profit dance organizations, the Pear Anniversary is nothing short of a miracle. It’s also a testament to enduring vision, continued reinvention, and the sheer work and commitment of the leaders behind the mission. On Saturday, October 18, […]
On June 7, 2024 at the Miller Outdoor Theatre, Silambam Houston presented a curious and intriguing theatrical thesis in mining the commonalities of South Indian and Baroque dance and music. I was eager to see Artistic Director Lavanya Rajagopalan’s vision come to life in The Baroque-Carnatic Connection, as both worlds live as disparate entities in […]
When Lauren Serrano moved to the Houston area to pursue an MFA from Sam Houston State University, the city and its arts scene were shuttered by the COVID-19 pandemic. Much of her early Houston dance experience was through the lens of a community navigating new dancemaking and dance presenting processes while balancing social distancing protocols. […]
I have been thinking a lot about personal history lately. I have been interested, not so much in genealogy, but the architecture that goes deeper than bone, the family myths that make everyday life extraordinary. When you live in the same community your entire life, you understand that the past, present, and future often exist […]
There is a moment in Faces of Sun and Wind where the quartet of dancers whirl in one direction, then the other. There is a fleeting snapshot of connection through the hands, in pairs, before each digs into the space around them, upper bodies swaying side-to-side. Their arms propel them into repeated high releases before […]
In “Jezebel,” one of Loren Holmes’ early works, an anxious, unnerved woman in black negligee gathers herself in front of a vanity before putting on a red dress and dancing in a flirtatious, suggestive manner to an unknown audience. When she is done, she returns to the vanity. She is disturbed again, appearing to console […]
6 Degrees Artistic Director Toni Leago Valle explores the three-ring circus that is contemporary politics in her latest show, POP DEMO, which runs through September 23 at the MATCH (3400 Main Street). The show’s characters are rendered as political cartoons who inhabit a 1920s-style speakeasy; Travis Prokop as Monsieur Ballista preening at the entrance reinforces […]
Dr. Lindsay Gary, founder and artistic and executive director of Dance Afrikana, started her company with the simple objective of protecting the work of her fellow dancers. “We were not being advocated for,” she says, recalling her early years as a backup dancer for Afrobeats and Afro-Caribbean music acts. “There were situations where we weren’t […]
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