Dance Salad Festival Celebrates 25th Anniversary

Dance Salad Festival will celebrate its 25th Anniversary in Houston and the 28th season since its inception in Belgium within the Festival week of events. Performances will take place on April 8, 9, 10, 11, 2020 @ Wortham Center’s Cullen Theater and the Choreographer Forum on April 8, 2020 @ the Museum of Fine Arts Houston

Sydney Dance Company Australia in ab intra choreographed by Rafael Bonachela Photo PedroGreig

We are working on an exciting line up and have booked so far the Hofesh Shechter Company, London, UK; Semperoper Ballet Dresden, Germany; Royal Danish Ballet’s Kammerballetten, Copenhagen, Denmark; Sydney Dance Company, Australia; Dunia Dance Theatre, Zimbabwe/Belgium; Laboration Art Company, France with more companies to be announced soon! 

For updates, photos, videos and to buy tickets, $25-$59, go to: www.dancesalad.org. Arrive early for downtown parking. 

Press Contact: Christina Levin, PR/Marketing Manager and Assistant to Director, Dance Salad Festival dsfassist@aol.com 

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To acknowledge such a momentous milestone in the life of the Festival we asked our loyal dance writers to share their thoughts and speak their hearts about what their experience with Dance Salad has meant for them. 

Molly Glentzer, Houston Chronicle’s Senior Writer and Critic of Arts & Culture who has been masterfully and devotedly covering DSF since 1999, reflects: “As a journalist with a lean travel budget, would I have ever seen Mats Ek and Anna Laguna, Drew Jacoby and Rubinald Pronk, or Paul Lightfoot and Sol León performing their signature collaborations? Would I have witnessed as many unforgettable dancers in their prime – among them Sofiane Sylve, Marie Agnes Guillot, Xing Liang and Vladimir Malakhov? Would I have become familiar with such a diverse choreographic pantheon of contemporary ballet masters or been able to follow the development of the next generation, including Sidi Larbi Cherkaoui, Mauro Astalfi, David Dawson, Susanna Leinonen, Willy Tsai, Marguerite Donlon and Henrique Rodovalho?…As far as I know, there is still nothing like this festival anywhere else in America – or any other dance gathering that is simultaneously so global and intimate…What an exhilarating, virtuosic ride Nancy has given all of us for 25 years, and such an inspired education. I am forever grateful.” 

Maggie Foyer, our cherished writer and moderator of the Choreographers Forum of many years, from London, UK, writes: Dance Salad Festival is like no other. At other festivals, you run from one theatre space to another, catching a matinee here, a late-night performance there, and maybe meeting briefly at the hotel. At Dance Salad Festival, the shared class and afternoon meal breaks forge friendships, bonding artists across the language and cultural barriers. It is a uniquely special event…[Nancy’s] determination in persuading choreographers to bring their curated works to Houston is legendary. Dance survives through cross-fertilization: being introduced to new audiences and for those audiences to spread the word on new names. Houston’s Dance Salad Festival has done sterling work in this respect.” 

Choreographer’s Forum: April 8, 2020, 7:00 PM @ Museum of Fine Arts Houston. The Forum will feature Sebastian Kloborg guest choreographer of the Royal Danish Ballet, along with Rafael Bonachela, Artistic Director of Sydney Dance Company, Australia and choreographer Harold George, founder and Artistic Director of Dunia Dance Theater Brussels, Belgium/ Harare, Zimbabwe. As always, the Forum will be moderated by Maggie Foyer, dance writer from London, UK. Free event. 

Performances: April 9, 10 & 11, 7:30 PM Wortham Center, Cullen Theater

1. Hofesh Shechter Company, London, UK, will premiere in Houston, one of the highly prized and talked about choreographic works of 2017, Grand Finale, choreographed and set to music by Hofesh Shechter, accompanied by live music on stage. Spectacularly bold and ambitious, Grand Finale is at once comic, bleak and beautiful, evoking a world at odds with itself, full of anarchic energy and violent comedy. Filtering this irrepressible spirit, Shechter creates a vision of a world in freefall, featuring an exceptional ensemble of dancers and a live band of musicians. 

Premiered at La Villette Paris with Théâtre de la Ville on 14 June 2017, Grand Finale was nominated for an Olivier award for Best New Dance Production and for Outstanding Production in the Bessies. It was also named Production of the Year by tanz magazine. This year Grand Finale won a 2019 Dora Award for Outstanding Touring Performance and was nominated for Best Dance Production in the 2019 Helpmann Awards. ★★★★ ‘heart-stopping…Hofesh Shechter’s [Grand Finale] has arrived with a bang’- Laura Cappelle, Financial Times 

‘Choreographic fireworks… Set, music, pounding percussion and dancers’ bodies soaring high, the apocalypse of Grand Finale shakes the compass of tribal dance. A must see.’- Rosita Boisseau, Le Monde 

‘An epic fresco of body and emotion … Hofesh Shechter is the king of dramatic contrast’ – Marie Soyeux, La Croix 

★★★★★ ‘A mature and magnificent work … sulphurous, visceral and surprisingly tender’ – Neil Norman, The Stage 

★★★★ ‘a wild waltz for the end of time … (Grand Finale) ranks among Shechter’s most sophisticated creations’- Judith Mackrell, The Guardian 

Choreographer Hofesh Shechter is recognized as one of the most exciting artists making stage work today, renowned for composing atmospheric musical scores to compliment the unique physicality of his movement. Shechter has also staged and choreographed works on leading international dance companies including the Alvin Ailey American Dance Theater, Batsheva Ensemble, Candoco Dance Company, Cedar Lake Contemporary Ballet, Nederlands Dans Theater 1, Paris Opera Ballet, Royal Ballet and Royal Ballet Flanders. He has choreographed for theatre, television and opera, notably at the Metropolitan Opera (New York) for Nico Mulhy’s Two Boys, the Royal Court on Motortown and The Arsonists, the National Theatre on Saint Joan and for the Channel 4 series Skins. As part of #HOFEST, a 4 week festival celebrating Shechter’s work across 4 iconic London venues, he co-directed Gluck’s Orphée et Eurydice with John Fulljames at the Royal Opera House. In 2016 he received a Tony Award nomination for his choreography for the Broadway revival of Fiddler on the Roof. In 2018 Hofesh Shechter was awarded an honorary OBE for Services to Dance and the company’s first dance film, Hofesh Shechter’s Clowns, was broadcast by the BBC in September to great acclaim.” www.shechter.co.uk 

2. Semperoper Ballett Dresden, Germany, will make its 7th appearance at Dance Salad Festival with a pas de deux from the highly acclaimed piece The Four Seasons, created by one of Festival’s most featured choreographers, David Dawson, set to music by Max Richter, which premiered in March 2018. 

“The spherical music of Max Richter’s recomposed Vivaldi’s The Four Seasons inspired Dawson to create something about the cycle of life, piece is set within constantly changing display of shape, color and light. This work can be experienced as a bridge between present and past, or an answer from the future to the past. A journey that is shaped by the bodies of the dancers, held within a space assigned to each of the four elements. The focus is on a human being and aesthetic approach is always born out of profoundly human feelings: ‘I always associate the change of the seasons with the journey of life – from birth to death, beginning and end, and in between everything human: joy, love, fear, and loss,” writes David Dawson, daviddawson.com. 

Dawson is one of the leading dance makers working in classical ballet today. His choreographic style transforms classical ballet in new ways, and his signature works have been praised by critics and audiences worldwide. His creations have joined the repertoire of many companies including Boston Ballet, English National Ballet, Semperoper Ballett Dresden, Finnish National Ballet, Kirov Ballet, National Ballet of Marseille, Royal Ballet Flanders, Royal New Zealand Ballet, Singapore Dance Theatre, Royal Swedish Ballet and Norwegian National Ballet. Dawson created The Grey Area for Dutch National Ballet in 2002, and had its US premiere at Dance Salad Festival in 2003 before showing in Boston, Moscow, London, Edinburgh, Brussels, Stockholm, and Tokyo. From 2004-2012 he was Resident Choreographer for Dutch National Ballet where he created significant new works including Morning Ground, which was performed at Dance Salad Festival in 2006. For Faun(e), performed at Dance Salad Festival in 2010, Dawson was nominated as Best Classical Choreographer for the UK Critics’ Circle National Dance Award and the Prix Benois de la Danse Choreography Award. Dance Salad Festival audiences had also enjoyed sections of Dawson’s Opus.11 in 2015 and most recently On the Nature of Daylight in 2018. 

3. Dancers of the Royal Danish Ballet’s Kammerballeten are excited to come back to DSF, with the work Chorale Dances choreographed by Tobias Praetorius set to music by J. C Bach performed by Alexander McKenzie on piano, and Absolute Pitch Black choreographed by Sebastian Kloborg set to music by F. Chopin, accompanied by Nicklas Walentin on violin and again, Alexander McKenzie on piano. “Are they in love? Are they naive? Or do these youthful dancers and musicians in Kammerballetten simply possess a very rare talent? In any case, they are clearly in love with both dance and music, and their audience is smitten with this love for classical ballet technique and classical music. The musicians play themselves close to the dancers bodies, so that music and choreography melt together. Just as when pianist Alexander McKenzie sits on his piano chair, while ballerina Emma Håkansson embraces him – and nevertheless, his hands continue to play on,” exclaims Anne Middleboe Christensen of information. dk 

4. Dunia Dance Theatre, an Afro-contemporary dance company, based in Brussels, Belgium/ and Harare, Zimbabwe, will debut in the USA with Making Men, created and directed by Sierra Leonean choreographer Harold George & film director Antoine Panier. The choreographer reflects: “I chose dance because it was the least masculine artistic activity I could find. I had no reason to love masculinity. …Can failure to fit the stereotype of masculinity lead young men to the unease and violence we witness in many societies today? Are they free to choose to do so in any way they deem appropriate, or are they forced into a mold? According to Canadian author Michael Kaufman, in the patriarchal system that dominates most of the world, the male child must always repress his ‘femininity’ or anything resembling his mother to affirm his masculinity. The feminine is seen to contradict the masculine and therefore must be denied. This leads to a defensiveness arising from the refusal of femininity and all things feminine. As a result, later in life, he hates women as they represent what he hates in himself. 

Among the results of this process is violence in general and violence against women in particular.” duniadance.net. The film section of Making Men has received the 1st prize at Verve Dance Film Festival. 

Dunia Dance Theatre is based in Brussels, Belgium since 2001 and presents work in which storytelling and elements of African mythology merge with modern and African dance techniques to create a contemporary dance experience. Harold George incorporates plastic arts as well as new media techniques in his dance work ideas, the result speaks to the emotions through an aesthetic emerging from a diaspora experience. 

5. Sydney Dance Company from Australia will debut in Houston with a pas de deux from ab [intra], choreographed by company’s Artistic Director, Rafael Bonachela, set to music by Nick Wales. Premiered in Sydney in February 2016, ab [intra], meaning ‘from within’ in Latin is ‘an exploration of our primal instincts, our impulses and our visceral responses’, says choreographer. From tenderness to turmoil, ab [intra] is a journey of intense human existence that will command your attention. This work is an exploration of light and darkness, with fierce physical movement and lush cello concerto fused with deep electronic beats by composer Nick Wales, exquisite dancers occupy a visually arresting ethereal world. 

“Bonachela says in the program that he wanted ab [intra] ‘to capture the energy and drive I feel each time I walk into the studio’. He and his company have succeeded brilliantly.” The Daily Telegraph 

Rafael Bonachela was born in Barcelona where he began his early dance training before moving to London, and in 1992 joined the legendary Rambert Dance Company. He remained with Rambert as a dancer and Associate Choreographer until 2006 at which time he successfully set up the Bonachela Dance Company (BDC) to concentrate on the rapid rise of his choreographic career. Rafael Bonachela’s internationally recognized talent has seen him work with contemporary dance at the highest level creating dance pieces for Sydney Dance Company. Also Rafael has been commissioned to make works for Candoco, George Piper Dances, ITDANSA Danza, Contemporanea de Cuba, Transitions Dance Company and Dance Works Rotterdam amongst others. sydneydancecompany.com 

6. Laboration Art Company, France will premiere the choreography ANNA in Houston for two female dancers, created by choreographer, company’s Founder and Artistic Director, Laura Arend. ANNA is an expression of respect towards five exceptional female personalities, little recognized or forgotten, yet described by choreographer as those who “take control of their destinies, live their dreams…” These five women, Lise Meitner, Sophie Scholl, Clarenore Stinnes, Pina Bausch and Clara Schuman are at the source of inspiration of this choreographic work. “Her work on nuclear physics and radio activity has made Lise Meitner famous, although the Nobel Prize Committee has never rewarded her work. Sophie Scholl’s integrity in the face of Nazism inspires… reflection on our choices, our determination…”It was Clarenor Stinnes’ bravery that made her travel the world by car, thus becoming an example of physical and mental non- renunciation: it is to move forward in spite of the difficulty of the task that allows liberation. Pina Bausch’s creativity leads us to consider the place of beauty within a scenic creation process and its relationship to the public.Clara Schuman, wife of the famous pianist and composer Robert Schuman, gave up her career in favor of the one of her husband…Mother of eight children, she remains one of the greatest pianists of the 19th century.” laborationartcompany.com. In ANNA, the choreographer inquires, how does the determination of these women influence or frustrate us today and what lessons can we learn from that. 

“A ‘dance that dances’ dear to the choreographer who puts her body technique and that of her dancer at the service of her art. A round trip between tension and fluidity, engagement and commitment, and acceleration through the portraits drawn. …] The simple and effective scenography builds an effective 

storyboard for a danceable and poetic journey through her portraits of women. “ cccdanse.com 

Trained at Conservatoire National Supérieur de Musique et de Danse de Lyon and at Jeune Ballet, Laura then continued studying at Merce Cunningham Studio in New York City, NY. In 2011 she joined the Kibbutz Contemporary Dance Company (KCDC) in Israel, same year that she created her Laboration Art Company. 

More to be announced soon! Check photos, videos and updates at www.dancesalad.org

1. Hofesh Shechter Company, London, UK, will premiere in Houston, one of the highly prized and talked about choreographic works of 2017, Grand Finale, choreographed and set to music by Hofesh Shechter, accompanied by live music on stage. Spectacularly bold and ambitious, Grand Finale is at once comic, bleak and beautiful, evoking a world at odds with itself, full of anarchic energy and violent comedy. Filtering this irrepressible spirit, Shechter creates a vision of a world in freefall, featuring an exceptional ensemble of dancers and a live band of musicians. 

Premiered at La Villette Paris with Théâtre de la Ville on 14 June 2017, Grand Finale was nominated for an Olivier award for Best New Dance Production and for Outstanding Production in the Bessies. It was also named Production of the Year by tanz magazine. This year Grand Finale won a 2019 Dora Award for Outstanding Touring Performance and was nominated for Best Dance Production in the 2019 Helpmann Awards. ★★★★ ‘heart-stopping…Hofesh Shechter’s [Grand Finale] has arrived with a bang’- Laura Cappelle, Financial Times 

‘Choreographic fireworks… Set, music, pounding percussion and dancers’ bodies soaring high, the apocalypse of Grand Finale shakes the compass of tribal dance. A must see.’- Rosita Boisseau, Le Monde 

‘An epic fresco of body and emotion … Hofesh Shechter is the king of dramatic contrast’ – Marie Soyeux, La Croix 

★★★★★ ‘A mature and magnificent work … sulphurous, visceral and surprisingly tender’ – Neil Norman, The Stage 

★★★★ ‘a wild waltz for the end of time … (Grand Finale) ranks among Shechter’s most sophisticated creations’- Judith Mackrell, The Guardian 

Choreographer Hofesh Shechter is recognized as one of the most exciting artists making stage work today, renowned for composing atmospheric musical scores to compliment the unique physicality of his movement. Shechter has also staged and choreographed works on leading international dance companies including the Alvin Ailey American Dance Theater, Batsheva Ensemble, Candoco Dance Company, Cedar Lake Contemporary Ballet, Nederlands Dans Theater 1, Paris Opera Ballet, Royal Ballet and Royal Ballet Flanders. He has choreographed for theatre, television and opera, notably at the Metropolitan Opera (New York) for Nico Mulhy’s Two Boys, the Royal Court on Motortown and The Arsonists, the National Theatre on Saint Joan and for the Channel 4 series Skins. As part of #HOFEST, a 4 week festival celebrating Shechter’s work across 4 iconic London venues, he co-directed Gluck’s Orphée et Eurydice with John Fulljames at the Royal Opera House. In 2016 he received a Tony Award nomination for his choreography for the Broadway revival of Fiddler on the Roof. In 2018 Hofesh Shechter was awarded an honorary OBE for Services to Dance and the company’s first dance film, Hofesh Shechter’s Clowns, was broadcast by the BBC in September to great acclaim.” www.shechter.co.uk 

2. Semperoper Ballett Dresden, Germany, will make its 7th appearance at Dance Salad Festival with a pas de deux from the highly acclaimed piece The Four Seasons, created by one of Festival’s most featured choreographers, David Dawson, set to music by Max Richter, which premiered in March 2018. 

“The spherical music of Max Richter’s recomposed Vivaldi’s The Four Seasons inspired Dawson to create something about the cycle of life, piece is set within constantly changing display of shape, color and light. This work can be experienced as a bridge between present and past, or an answer from the future to the past. A journey that is shaped by the bodies of the dancers, held within a space assigned to each of the four elements. The focus is on a human being and aesthetic approach is always born out of profoundly human feelings: ‘I always associate the change of the seasons with the journey of life – from birth to death, beginning and end, and in between everything human: joy, love, fear, and loss,” writes David Dawson, daviddawson.com. 

Dawson is one of the leading dance makers working in classical ballet today. His choreographic style transforms classical ballet in new ways, and his signature works have been praised by critics and audiences worldwide. His creations have joined the repertoire of many companies including Boston Ballet, English National Ballet, Semperoper Ballett Dresden, Finnish National Ballet, Kirov Ballet, National Ballet of Marseille, Royal Ballet Flanders, Royal New Zealand Ballet, Singapore Dance Theatre, Royal Swedish Ballet and Norwegian National Ballet. Dawson created The Grey Area for Dutch National Ballet in 2002, and had its US premiere at Dance Salad Festival in 2003 before showing in Boston, Moscow, London, Edinburgh, Brussels, Stockholm, and Tokyo. From 2004-2012 he was Resident Choreographer for Dutch National Ballet where he created significant new works including Morning Ground, which was performed at Dance Salad Festival in 2006. For Faun(e), performed at Dance Salad Festival in 2010, Dawson was nominated as Best Classical Choreographer for the UK Critics’ Circle National Dance Award and the Prix Benois de la Danse Choreography Award. Dance Salad Festival audiences had also enjoyed sections of Dawson’s Opus.11 in 2015 and most recently On the Nature of Daylight in 2018. 

3. Dancers of the Royal Danish Ballet’s Kammerballeten are excited to come back to DSF, with the work Chorale Dances choreographed by Tobias Praetorius set to music by J. C Bach performed by Alexander McKenzie on piano, and Absolute Pitch Black choreographed by Sebastian Kloborg set to music by F. Chopin, accompanied by Nicklas Walentin on violin and again, Alexander McKenzie on piano. “Are they in love? Are they naive? Or do these youthful dancers and musicians in Kammerballetten simply possess a very rare talent? In any case, they are clearly in love with both dance and music, and their audience is smitten with this love for classical ballet technique and classical music. The musicians play themselves close to the dancers bodies, so that music and choreography melt together. Just as when pianist Alexander McKenzie sits on his piano chair, while ballerina Emma Håkansson embraces him – and nevertheless, his hands continue to play on,” exclaims Anne Middleboe Christensen of information.dk 

4. Royal Ballet of Flanders, Antwerp, Belgium will premiere Jack in the USA, choreographed by one of their highly acclaimed contemporary dancers and the company’s former principal dancer, Drew Jacoby, set to music by George Gershwin. This work premiered at Linbury Theater Royal Opera House, London in April 2019. The solo from Jack will be performed at DSF 2020 by the Royal Ballet of Flanders’s dancer, Tiemen Bormans. 

“For all its shock value, Jack was a highly intelligent, tightly structured piece, one that really did shine a new light on contemporary culture and dance’s place in it.” Culture Whisperer, London. 

Born in Boise, Idaho (USA) in 1984, Drew Jacoby studied at San Francisco Ballet and Pacific Northwest Ballet in Seattle. Her professional career began at age 17 with Alonzo King’s Lines Ballet in 2002. In 2005 she was invited to join Sylvie Guillem’s Japan tour, performing alongside dancers from The Royal Ballet and Paris Opera Ballet. She founded her own company with former Dutch National Ballet soloist 

Rubinald Pronk, which was based in New York City and toured to venues such as Jacob’s Pillow and Holland Dance Festival from 2007-2012. While in New York, she also danced with Christopher Wheeldon’s Morphoses, Complexions Contemporary Ballet, and Lar Lubovitch. In 2012 Drew was invited to join Nederlands Dans Theater, where she stayed for three years before joining the Royal Ballet of Flanders as a principal dancer in 2015. In 2016 she collaborated on a dance film with choreographer Sidi Larbi Cherkaoui and musical/visual artist Woodkid in Paris. She has performed works by choreographers including William Forsythe, Jiri Kylian, Maurice Bejart, George Balanchine, Jean Christophe Maillot, and Pina Bausch, and has had original works created on her by Christopher Wheeldon, Lightfoo/Leon, Marco Goecke, Crystal Pite, Sidi Larbi Cherkaoui, Alonzo King, Dwight Rhoden, Lar Lubovitch, Edouard Lock, Annabelle Lopez Ochoa, and Mauro Bigonzeti. In 2018 she was nominated for a Benois de la Danse award for her performance in Pina Bausch’s Cafe Muller. She was featured as a dancer and choreographer in the official music video Cold, by the Editors and played the role of Loie Fuller in the 2020 feature film, Radioactive, directed by Marjane Satrapi. Her choreography has been performed at the Bolshoi Theater in Moscow, Lucent Dans Theater in The Hague, the Royal Opera House in London, and the Joyce Theater in New York. Duet Jacoby & Pronk performed One choreographed by Annabelle Lopez Ochoa in Dance Salad Festival 2008 and Softly As I Leave You choreographed by Paul Lightfoot and Sol Leon was presented in Dance Salad Festival 2010. 

5. Dunia Dance Theatre, an Afro-contemporary dance company, based in Brussels, Belgium/ and Harare, Zimbabwe, will debut in the USA with Making Men, created and directed by Sierra Leonean choreographer Harold George & film director Antoine Panier. The choreographer reflects: “I chose dance because it was the least masculine artistic activity I could find. I had no reason to love masculinity. …Can failure to fit the stereotype of masculinity lead young men to the unease and violence we witness in many societies today? Are they free to choose to do so in any way they deem appropriate, or are they forced into a mold? According to Canadian author Michael Kaufman, in the patriarchal system that dominates most of the world, the male child must always repress his ‘femininity’ or anything resembling his mother to affirm his masculinity. The feminine is seen to contradict the masculine and therefore must be denied. This leads to a defensiveness arising from the refusal of femininity and all things feminine. As a result, later in life, he hates women as they represent what he hates in himself. Among the results of this process is violence in general and violence against women in particular.” duniadance.net. The film section of Making Men has received the 1st prize at Verve Dance Film Festival. 

Dunia Dance Theatre is based in Brussels, Belgium since 2001 and presents work in which storytelling and elements of African mythology merge with modern and African dance techniques to create a contemporary dance experience. Harold George incorporates plastic arts as well as new media techniques in his dance work ideas, the result speaks to the emotions through an aesthetic emerging from a diaspora experience. 

6. Sydney Dance Company from Australia will debut in Houston with a pas de deux from ab [intra], choreographed by company’s Artistic Director, Rafael Bonachela, set to music by Peteris Vasks. Premiered in Sydney in February 2016, ab [intra], meaning ‘from within’ in Latin is ‘an exploration of our primal instincts, our impulses and our visceral responses’, says choreographer. From tenderness to turmoil, ab [intra] is a journey of intense human existence that will command your attention. This work is an exploration of light and darkness, with fierce physical movement and lush cello concerto fused with deep electronic beats by composer Nick Wales, exquisite dancers occupy a visually arresting ethereal world. 

“Bonachela says in the program that he wanted ab [intra] ‘to capture the energy and drive I feel each time I walk into the studio’. He and his company have succeeded brilliantly.” The Daily Telegraph 

Rafael Bonachela was born in Barcelona where he began his early dance training before moving to London, and in 1992 joined the legendary Rambert Dance Company. He remained with Rambert as a dancer and Associate Choreographer until 2006 at which time he successfully set up the Bonachela Dance Company (BDC) to concentrate on the rapid rise of his choreographic career. Rafael Bonachela’s internationally recognized talent has seen him work with contemporary dance at the highest level creating dance pieces for Sydney Dance Company. Also Rafael has been commissioned to make works for Candoco, George Piper Dances, ITDANSA Danza, Contemporanea de Cuba, Transitions Dance Company and Dance Works Rotterdam amongst others. sydneydancecompany.com 

7. Laboration Art Company, France will premiere the choreography ANNA in Houston for two female dancers, created by choreographer, company’s Founder and Artistic Director, Laura Arend. ANNA is an expression of respect towards five exceptional female personalities, little recognized or forgotten, yet described by choreographer as those who “take control of their destinies, live their dreams…” These five women, Lise Meitner, Sophie Scholl, Clarenore Stinnes, Pina Bausch and Clara Schuman are at the source of inspiration of this choreographic work. “Her work on nuclear physics and radio activity has made Lise Meitner famous, although the Nobel Prize Committee has never rewarded her work. Sophie Scholl’s integrity in the face of Nazism inspires… reflection on our choices, our determination…”It was Clarenor Stinnes’ bravery that made her travel the world by car, thus becoming an example of physical and mental non- renunciation: it is to move forward in spite of the difficulty of the task that allows liberation. Pina Bausch’s creativity leads us to consider the place of beauty within a scenic creation process and its relationship to the public.Clara Schuman, wife of the famous pianist and composer Robert Schuman, gave up her career in favor of the one of her husband…Mother of eight children, she remains one of the greatest pianists of the 19th century.” laborationartcompany.com. In ANNA, the choreographer inquires, how does the determination of these women influence or frustrate us today and what lessons can we learn from that. 

“A ‘dance that dances’ dear to the choreographer who puts her body technique and that of her dancer at the service of her art. A round trip between tension and fluidity, engagement and commitment, and acceleration through the portraits drawn. …] The simple and effective scenography builds an effective storyboard for a danceable and poetic journey through her portraits of women. “ cccdanse.com 

Trained at Conservatoire National Supérieur de Musique et de Danse de Lyon and at Jeune Ballet, Laura then continued studying at Merce Cunningham Studio in New York City, NY. In 2011 she joined the Kibbutz Contemporary Dance Company (KCDC) in Israel, same year that she created her Laboration Art Company. 

More to be announced soon! 

Check photos, videos and updates at www.dancesalad.org 

More to be announced soon! Check photos, videos and updates at www.dancesalad.org

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